Influenced by Merzbow, the Haters and other denizens of noise-art culture, absolute value of noise takes sound
to the extreme. Originating as
a radio-art program on CiTR FM, Vancouver (from 1988 to 1992), productions include radio-art,
performance, installation, net-art and a variety of collaborative projects.
The artist works with feedback, distortion, mechanical devices and hand-built instruments to create both intense
collages and minimal sonic threads.